For Dutch duo VANTOT, it’s all in the name. Literally translated from Dutch to mean ‘from to’, VANTOT focuses on the entire process, starting with a technique and ending with the product. The pair strives to find new applications for innovations in everyday life, and it’s not only new-found technologies which have seized their interest. Serving as a guiding light in the duo’s work, antiquated techniques are put to good use in modern day outlets, mutually benefiting from today’s updated knowledge base.
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Be Invited! During Salone del mobile, Milan, VANTOT presents their new collection based on the newest possibilities in the world of LED lighting. In the solo exhibition 'Current Currents' Vantot explores the possibilities and advantages of Low Voltage. Electrical current is still perceived as something frightening. But what would it be like if Low Voltage would be the new normal? VANTOT experiments with shaping conductivity as innovative interior objects and ornaments instead of putting it away.
Multiple Leds are powered as electronic current flows through this whole piece. Modular 'bricks' give you endless possibilities in terms of patterns and dimensions while its safe to touch.
Multiple Leds are powered as electronic current flows through this whole piece. The light is spread more evenly as the light comes from multiple light sources instead of one. This gives the LED a more diffuse application with the result of hardly dropping any heavy shadows.
Yes its here! Finally our Passage Table got itself into the spotlight.
A solid and bold metal framing covered with graphical inlayed wooden tabletop.
Also available in plain white Oak.
Delicate lighting on the wall. Lunar, part of the Exploded View pendant series is now also available as wall lighting object. It has the same quality LED's, designed, developed and produced with our LED supplier.
Reverberate, a large jacquard woven acoustical wallhanging.
How does the eye interpret multiple layered mathematical patterns?
New additions to the family.
Limpid Lights continues on the principle of manipulating the light by moving the lightsource. The fresh and bright light of LED can be manually masked with various handblown glass shades. In this way the light can be playfully adapted to a more fuzzy, hazy, smoky, dusky, foggy, blurry and or coloured light.
Passage Plateau, derived from the project Passage, is now featured in a new jacket. The wood inlayed patterns come in three different colours: Brown, Green/Blue and Black. The top is treated with a satin gloss coating. Passage Plateau is a multi-purpose product. It functions well for serving food or drinks as for decorative purposes.
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*NOMINATED FOR PURE TALENTS CONTEST.
Manipulating light with movement
Do we understand what happens when we dim the lights? And to what extent could the dimming become part of the design? Exploded View shows that the key factor is to move the light source closer to the object or further away. After all, the sun never fades; it is the earth that moves closer and further away, causing the light to reflect, change colour, dim or die. Ultimately the experiment has led to a series of lamps representing different approaches: Cumulus, which dims through layering; Eclipse, which keeps the light contained or sets it free; and Lunar which plays with reflection.
*NOMINATED FOR MELKWEGPRIZE AND KEEP AN EYE GRANT 2013
'Heat capacity' consists of a citymap full of pots and pans. For both cooking and architecture, warmth is a defining characteristic. Both a cook and a city planner encounter the question of how to produce, contain, spread and lose warmth. 'Heat capacity' combines both approaches.
The different pans model the uneven way warmth is spread throughout a city. One place produces a lot of heat that is led away, whilst in another place this warmth is needed. By showing these heat patterns in a physical manner 'Heat capacity' can contribute to a better understanding of the principles of heat spreading and help to form them in a more collaborating and sustainable fashion.
*NOMINATED FOR PURE TALENTS CONTEST.
Passage exists as a carpet and as a room divider, made up out of layered wood. In it, old and new techniques meet: the traditional practice of patterned wooden floors is taken up by the new technology of laser cutting.
The work reflects Jongsma's fascination with barriers and tresholds, focusing especially on the process of passing and overcoming them. When you approach the room divider or walk alongside the carpet, the pattern changes. Whereas a barriernormally is static, here it mirrors the movement of those approaching it. As a room divider, 'Passage' functions as an actual treshold, partitioning a room into different areas. As a carpet, the work puts up a barrier in the room: do we still step on the carpet when it's made out of a different material than we're used too, or does its three dimensionality limit our moving space?
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